Madrid
(I confess that I can't really keep up with this thing, effectively. I hope you'll forgive me.)
When my parents were planning their grand Spanish adventure, I had recommended a couple places for them to go visit that I had already been to (Granada, Córdoba, Ronda) and others that I had not been to yet (Cádiz, Madrid). On that note, Meagan and I got to spend (almost) an entire weekend with them in Spain's capital city!
Background on Madrid: it is the 3rd largest city in the European Union (based on the size to population ratio). It is the epicenter of all Spanish economic and political history since the Renaissance and re-conquest of Spain, to good and bad degrees. It is a very financially-based city, as in most of the way it gets its wealth is from deals with other autonomous communities of Spain, member states of the EU, and banks. Lots and lots of banks. It is also where "Castillian Spanish" is most stressed as the "correct" way of speaking, much like Catalan is in Barcelona. For this reason, it can be perceived that some madrileños have cultural chips on their shoulders. However, this is not really true. Overall, Madrid is a very nice city: very pretty, friendly, open, and ornate.
The one qualm I have with Madrid is that it's kind of lackluster in terms of an atmosphere. Sure, people go out in La Puerta del Sol or Parque del Buen Retiro or Plaza Mayor to sit and chat; there's certainly a buzz. But the buzz is much more relaxed than the buzz of Barcleona or Paris. It's a very high-society buzz. Maybe that was because of our centralized location, but even with people strolling the streets at night looking for bars, night-life hot-spots, or outdoor gatherings, the buzz was...controlled, if you will. It's hard to explain.
This is not saying that I didn't enjoy Madrid. I did! We did lots of cool things. Right off the bat, we headed over to the Royal Palace and got to take a tour inside there. The palace is huge! You might say, of course it is, but I might say, you say that now but wait till you see a palace. Granted, we had seen palaces before (Reales Alcázares in Sevilla, La Alhambra in Granada), but none that were the least bit modern (and by modern, I mean built shortly before, during, or shortly after the Enlightenment). Not only was the outside extravagant, but it also looked over this magnificent view of a valley right next to the palace. (Pictures below.) And of course, the inside of the palace made all four of us want to live there. Peculiar/awesome things:
- The throne room was full of chandeliers and brightly-colored rugs and fabrics, but what was weird about it was that it was a giant rectangle, and instead of the thrones being at one short end of the rectangle as you would expect, they were situated against the long wall, right in the middle. It was odd and kind of off-putting at first.
- The dining room was humongous, with a table for 70 or so people. Crazy.
- Inside the palace was a series of Stradivarius string instruments (!!!), decorated with inlay in the perfling (outer rim) of each one. I couldn't stay in there too long for fear I might have done something I would've regretted later.
Later that same day, we ventured over to the Museo del Prado for their free hours (6-8 p.m. on Fridays). The Prado is arguably the most important art museum in Spain; it is host to all sorts of art, Spanish and non-Spanish, I guess from the 1700s-1900s (?). I don't know my artistic time periods, so I don't really know how to characterize it. I know that there was hardly any "Impressionistic" artwork there. So I'll give you some names and maybe you'll get the idea. The Spaniards that were represented included: Goya, Velazquez, and El Greco. The only non-Spaniard I remember seeing was Hieronymous Bosch, because Meagan really wanted to see his triptych, The Garden of Earthly Delights. It's a crazy painting with so much going on, and represents a side of religious-based art I had yet to see even after visiting the Museo de Bellas Artes in Sevilla. It was a little more brash and brazen, and I appreciated that.
A painting I appreciated even more for different reasons was Las meninas, by Velazquez. That may ring a bell: in my post about Barcelona, I mentioned that we saw Picasso's surrealist/cubist version of Las meninas. At the time, I thought this was cool. But then I saw the original:
Everything in this painting is spectacular. First of all, it just looks pretty. The girls in dresses, their ladies in waiting, etc. Secondly, it's composed really well, with all of our attention diverting on the little girl first. It's not even off-balance because the Duchess is in the center, despite the easel infiltrating the frame considerably when something else could go there in its place. Then you start to notice every little Easter egg that Velazquez hides in it:
- Everybody is looking at you. The Duchess, one of her ladies in waiting, the old woman, the painter (Velazquez himself), even the chamberlain exiting in the back. Why are they looking at you?
- Because their watching you get painted. And by you, I mean the king and queen. Look in the mirror over Velazquez's left shoulder: that's their reflection.
- So then you start to feel awkward because everyone is watching you get painted except it's not you being painted but instead someone with much higher status than you. Then you suddenly feel out of place because not only are they looking at you, but they're glances change from passive to active, wishing you out of the picture so that Velazquez can finish.
- It's a picture within a picture within a picture. You realize this after you realize that the king and queen are being painted, and that the canvas on the easel will later become the one that is hanging proudly in the Prado that you are now looking at. MIND TRIP.










